Purple Dream - 30/30 Challenge 2016

Purple Dream, Watercolor on Arches #140 Cold Press Paper, 8"h x 8"w, 2016 #2

Bid in My DPW Auction (Starting Bid $85)

In the neighborhood I live in there are many lovely old Victorian homes with wisteria leaning onto their front gates, and during the walk one morning I spotted this beautiful butterfly spanning its wings in the morning fog on one of the large flower clusters. The temperature was low in the moist morning air of San Francisco, and large droplets of water were dripping from the wisteria leaves, so I wondered whether the wings of this butterfly was wet and it could not take off. When I sneak closer I realized it was... mating, with its lover hiding in the shadow of the leaflets underneath the first butterfly. I snapped a photo and decide to capture this rare moment with my paintbrush... And every time I look at the painting, I can almost smell the clear, cold, moist air of that morning, and the slight aroma of wisteria... 

Gossiping Ladies - 30/30 Challenge 2016

Gossiping Ladies, Watercolor on Arches #140 Cold Press Paper, 6"h x 9"w, 2016 #1

Bid in My DPW Auction (Starting Bid $95)

I can hardly believe that I have not posted on the blog since the last 30/30 challenge! I have actually been painting (mostly in oil) and having some exciting news to share, including getting included in the Splash and Stroke of Genius books of North Light Publishing, and winning the budding artist category in the Art Muse Contest, as well as being selected as judge's pick this month on Daily Paintworks! I am super excited about every one of these opportunities...

I have plans to paint more smaller oil paintings outside the atelier this year as practice, and try more diverse subjects as well as painting some larger compositions in my watercolor paintings. So for this September's challenge I would try to just do that. Here's the first piece -- an animal subject I have tried to tackle for a while but always felt inadequate at the moment. But the longer I waited, the more I felt that waiting along and think "one day when my skill has reached the level to tackle this subject" is never going to get me there. One can only learn how to tackle an unfamiliar and daunting subject by working on them again and again! So here we go -- these two colorful parakeets (love birds as they are commonly referred to in their native tropical Indonesia) whose body languages and facial expressions just crackle me up every time I look at them.   

A Little Experiment with Gold Leaf...

California's Gold, 

Watercolor on Aches #140 Cold Press Paper with Gold Leaf, 8"h x 8"w, 2015 #2

Bid in My DPW Auction ( Starting Bid $85)

At school break I experimented a little bit with texture and really enjoyed it -- combining wet-on-dry glazing of very thin washes with wet-in-wet technique to depict feather and fur, as well using gold leaf as background for a watercolor painting. I really love the shimmering gold and thought they are just great in capturing how I feel when seeing this little creature glittering in the morning light as it zipped back and forth around the prickly pear cactus flower in my garden. It's hard to imagine that little body containing enough strength and tenacity to fly a thousand miles every spring and fall, through mountains and across oceans. It is a fierce, exuberant force of life...


In case you want to try your hands on the gold leaf technique (it's really fun! Albeit a little messy...), my friend Carrie Waller -- a fantastic artist -- has a great tutorial here. Enjoy!

California's Gold, Detail of the Little Hummer

California's Gold, Detail of the Prickly Pear Cactus Flower

Hummers! (No, Not the Monstrous Vehicle... It's the Tiny Bird I am Referring to...)

Rufus!,  Watercolor on Arches #140 Cold Press Paper, 7"h x 7"w, WIP 1

This is my latest project -- a little Rufus Hummingbird painting to be completed with gold leaf. 

Last September my dear artist friend, the amazing Carrie Waller, has shared a technique of how do combine gold leaf with watercolor on her blog. I was very intrigued by the effect you can get using this particular technique, but was not sure what subject would work best with it. Carrie has done some beautiful still life paintings of fall leaves and pears using this technique, as well as a larger painting of humming birds. I especially liked how the shimmer of the gold leaf would work with the brilliant colors of humming bird plumage, and after some researches of suitable reference materials, have settled on a series of Rufus Hummingbirds to try my hands on. This is the first one of them. All the yellow backgrounds would be covered with gold leaf in the finished painting. I almost cannot wait to do it!

I think the emerald green and green gold used for the feather of the humming bird would work well with the gold leaf. And after reading Chris Beck's tutorial in the latest Artist's Magazine, I decided to give masking fluid another try on the cactus flowers. I used a dipping pen to apply them for the thorns (the masking are removed here and you can see the resulted white shapes of thorns on the cacti), and find them easy to use, as well as capable of producing much thinner lines. I took the maskings off before applying the final wash, so that I can modify the edges of the masked shapes with some brush work, and tone them down if they appear to be too stark... 

In the mean time, if you have an image of a beautiful landscape, or a flower you like, or anything you might want to see painted, please email them to me at arena.shawn@gmail.com. I will paint them and post them here. From every 10 paintings I make from them, there would be a random drawing, and the lucky winner get to take a original back home for free! Interested? Then send me your photo!

You can now buy high quality Giclee prints of many of my sold paintings, both on paper and canvas, as well as some note cards with my paintings here: