Summer Glory

Summer Glory,

 Watercolor on Arches #140 Cold Press Paper, 5"h x 5"w, 2016 #17

Bid in My DPW Auction (Starting Bid $65)

Petunia Done, Tulips Still in Progress... It's Almost Holiday Fair Season Again!

Rise and Shine, Watercolor on Arches #140 Cold Press Paper, 5"h x 5"w, 2013 #78

Bid at My DPW Auction (Starting Bid $35) 

Finishing up some little paintings for the upcoming holiday fair season, and my solo show in the gallery (more details in the next few days, stay tuned!... ;-). After completing this petunia, I thought it would actually make a nice pair with my earlier painting of morning glory... What do you think? Won't they be a cute little diptych together?

Fire Dance, Watercolor on Fabriano Artistico #140 Cold Press Paper, 6"h x 6"w, WIP 6

Can't believe I am still working on adjustments on this one... Sometimes I suspect it will never finish... I've darkened the upper right corner according to suggestions from you guys to my last update on this one. Now I am puzzling over how to make the center flower stand out more against the rest blossoms... Any suggestions? Please!...

A reminder to those of you who lives in the bay area: I will be at the Art in the Park event in the city of San Ramon this weekend. This two day event held at San Ramon Community Center located at 12501 Alcosta Blvd will be a showcase of local artist and artisan talents with live chalk art demonstration on location, and a great selection of live music, dance and theater performances. It lasts from 10:00 am to 5:00 pm for both Saturday and Sunday. If you are in the east bay - trivalley area and have some free time over the weekend, be sure to stop by and say hi!

In the mean time, if you have an image of a beautiful landscape, or a flower you like, or anything you might want to see painted, please email them to me at arena.shawn@gmail.com. I will paint them and post them here. From every 10 paintings I make from them, there would be a random drawing, and the lucky winner get to take a original back home for free! Interested? Then send me your photo!

You can now buy high quality Giclee prints of many of my sold paintings, both on paper and canvas, as well as some note cards with my paintings here:

Gallery Show ("Climate Crisis: An Artistic Vision"), and a New Painting ("After the Summer Rain")

After the Summer Rain, 
Watercolor on Arches #140 Cold Press Paper, 5"h x 5"w, 2013 #42

Sold!

The busy season of Silicon Valley Open Studio is finally over! Thanks too all the art enthusiasts and collectors in this area, it was quite an unexpected success for me the very first time I participated! With every painting sold stories exchanged between the artist and the collector, and I have learned a ton about what attract people to buy a painting...

My next big project is the gallery show with the theme of Climate Crisis in the Main Gallery of Redwood City. It is quite a mighty subject to tackle and my take on it is a series of small landscapes of both mountain and oceanic glaciers under the title "Disappearing Beauty". The one below is a little 5" x 7" painting of the snowy peaks of high Sierra (Sierra Crest near Mono Lake) belong to the series. With gradually warming weather most of these pristine snow packs would disappear in the next few decades in summer...

Disappearing Beauty - Snow Packs of Sierra Crest, 
Watercolor on Arches #140 Cold Press Paper, 5"h x 7"w, 2013 #43

Bid at My DPW Auction (Starting Bid $30) 

The next one in the "Disappearing Beauty" series is a little long-format landscape of the icy glacier lake of Sierra Crest, near North Palisade... High mountain glaciers are the most threatened by the warming climate, as there are not enough snow in recent winters to replenish what melts away each summer. The pristine lakes of high sierras may become dry lake beds if the current trend continues...

Disappearing Beauty - Palisade Glacier Lake, Sierra Crest, Winter,
Watercolor on Sennelier #140 Rough Paper, 4"h x 9"w, 2013 #44

Bid at My DPW Auction (Starting Bid $35) 

I really enjoyed doing these little landscapes but also itch to start a slightly bigger one... More to come, stay tuned!...

You can now buy high quality Giclee prints of many of my sold paintings, both on paper and canvas, as well as some note cards with my paintings here:

Texas Blues (30 Paintings in 30 Days Challenge: Day 14)

Texas Blues, Watercolor on Ampersand Aquabord, 5"h x 5"w, 2012 #16

Bid at My DPW Auction (Starting Bid $45)

Here's "Texas Blues", finally finished! Turns out... Painting on Aquabord is really a very time-consuming process, and this little piece has taken much longer than what I initially expected to finish! But, here it is, as promised... And I have a couple more pieces in the pipes for the next couple of days, so stay tuned!

You can purchase my 2013 wall and desk calendars here:

... What Is Arena Doing These Days?...

Whew!... Time flies, and before I realize there has been weeks without a new posting on this blog!!! So, what is Arena doing these days? Has she been slacking off, enjoying the rising temperature, the rare cloudless sky, the cheeriness-filled April air of San Francisco?... Well... Just the opposite! The weather here may have been more that welcoming and calling for outdoor adventures on all restless souls, but Arena has been locked in a little room with all windows covered with black cloth... And drawing =___=b......

Not that I have any complaints about it -- I have jumped on the opportunity of a lifetime (at least in my point of view) and started to attend an Atelier program of classical realism. The full-time program would ideally last 3-4 years, and each student would start from copy master drawings, then progress to drawing plaster casts of classical sculptures and live models, painting casts in limited palette, and finally to full-palette painting of still life and figures. It's rigorous -- 8 hours a day minimum, with the mornings dedicated to the progressing of projects suited to each student's level, and afternoons (sometimes also evenings) devoted to drawing from a nude model holding a long post for 6-week duration. Time slows down and each drawing is supposedly executed with extraordinary precision, and seemingly progress with infinitely slow speed. (I shall post later of my accomplishments of the first four weeks and illustrate my point.) And the whole point is to train the eye of the student to reach the point of precision satisfying enough to capture all the subtle beauty of a living figure. Although my ultimate goal is not to become mainly a figure but landscape painter, I do think this kind of solid foundation, and the ability of seeing the nuance of nature, as well as the ability to put down what you see in a simple but accurate statement, is of utter importance and would benefit me in the long run. The teacher I am training under, Andrew Ameral, studied and later taught in the Florence Academy  of Art for years, which inherited the 19th century French Academy lineage. So far, I am absolutely in love with the training, and I'm counting my blessings everyday for being given this opportunity...

But, this does mean I can only paint in the evenings of weekdays and on weekends when I am not in school, and that has significantly cut into my watercolor time -- thus the long absence from the blog since I have nothing to post! I am not happy with this, and I'm trying my best to squeeze more time into my watercolor projects. Learning time-management is the key, and comparing to Carrie and Crystal, both of whom produce amazing amount of beautiful work with multiple young kids, I shall say I have no excuses... Following their examples, I have decided to have more realistic goals regarding my blog posting -- making sure to post on Friday, Saturday and Sundays during which I can paint full-time, and at lest once Monday through Thursday. I would still like to finish at least one, and hopefully two small pieces a week, although in the midst of painting larger pieces for juried exhibitions, I may not be able to do this every week. We'll see...

So, without further a due, I will share a couple of projects I have started this week:

This is a painting of a very light pink rose with contrasting green foliage patterns behind it. My goal is to not go to detailed and literal on the foliage patterns, but paint them as slightly out-of-focus value patterns wet-in-wet, while maintain surface interest by varying the colors across  the spectrum -- in other words, not just greens for the leaves, but adding the influence of yellow, blue, purple and even pinks! I have only put down two layers of very thin washes on this one, using the method I've learned in the fabulous Jeannie Vodden's class. I'm trying hard to keep it light and airy, not to go too dark too soon...

Beauty Queen, Watercolor on Arches 140# Cold Press Paper, 7"h x 5"w, WIP 1

Same process for this tiny painting morning glory which I'd like to submit to a small work show, and has the potential of becoming a commission. The challenge here is to create the effect of back-lighting -- light filtering through transparent petals, light rings around more solid stem and leaf forms... Again, I started with a multi-colored wash of three-primary mixtures, this time Permanent Rose, Aureolin Yellow and Antwerp Blue.

Rise and Shine, Watercolor on Arches 140# Cold Press Paper, 7"h x 5"w, WIP 1

This is a larger piece (quarter sheet is large for me :-P) of "Hide and Seek" which I am trying to complete for the San Diego Watercolor Society International Juried Exhibition. I've put down a couple of wet-in-wet washes here, mostly warm and cool reds, but also New Gamboge, Yellow Ocher and French Ultramarine to map out the blurry, out-of-focus leaf forms. At this stage I'm mainly focusing on value structures, leaving the center lid portion of the rose mainly white, and putting down soft, saturated color passages for the petals in shadow. I also paid attention to the petals receiving reflected lights and lights filtering through other petals, which are warmer than the ones in pure shadow. This is indicated by varying the color temperature of reds when putting down the initial washes.

Hide and Seek II, 

Watercolor on Jack Richeson Zoltan Szabo140# Cold Press Paper, 10"h x 14"w, WIP 1

What I found out is that a larger painting is not necessary slower in its progress than a small study -- especially when I have learned my lessons from the small study! That said, I don't like doing the same thing twice so I'm trying a different paper -- the Jack Richeson Zoltan Szabo #140 Cold Press for this one. Comparing to the Fabriano Artistico #140 Cold Press I used for the small study, the Richeson paper seems to glaze well, but much harder to lift. So I may have to vary the actual painting sequence of different passages, painting light to dark in glazes instead of darker to light with lots of lifting! We'll see how that goes... ;-)

I'm also trying to wrap up some old projects. The couple of rose paintings from February are close to be finished. For this one, "Peppermint Rose", I am trying to put in all the cast shadow and crevice dark now to create a sense of 3-dimensionality, while in the mean time fighting hard not to lose the brilliance of red colors in these shadow areas. Achieve true darks on Fabriano paper is always a struggle since it's so hard to glaze, but I'm trying...

Peppermint Rose, 

Watercolor on Fabriano Artistico 140# Cold Press Paper, 8"h x 8"w, WIP 4

Finally, "High Summer Dreams" has come back from the Jack Richeson 2012 Small Works show, and I have decided to offer it for sale with starting bid of $150! It will be shipped with a 16"h x 20"w mat and foam core backing board, ready to be stick into a frame! This painting has been juried into the 2010 North West Watercolor Society's International Show and won the president award, as well as into the 2011 Philadelphia Watercolor Society Works on Paper National Juried Show, and Richeson Small Works 2012 National Juried Show. It's also one of my favorite pieces. I hope it would find a loving home through Daily Paintworks...

High Summer Dream, Watercolor on Arches 140# Cold Press Paper, 10"h x 14"w, 2012 #1

Bid at My DPW Auction (Starting Bid $150)

Dutch Iris Painting

I was browsing through some projects that I have started but not yet finished, and decided to finish this little painting of Dutch Iris -- one of my favorite flowers. The blue-purple palette is a nice change from the warm reds and yellows of the plumeria. I had fun doing it. 

It is painted on an Italian paper that I have never used, and I loved the soft surface texture. The handling quality is also nice -- relatively easy to lift, not so prone to damage. Must give it another try...

Dutch Iris, Watercolor on Magnani Acquerello140# Cold Press Paper, 5"h x 5"w, 2012#4

Sold!

Morning Glory and Work in Progress: Plumeria

I finished this small painting of morning glory today. Since there are a lot of contrast between the dark background and the back-lid flower, the photo is not ideal -- it does not show all the subtle color differences in the dark background, from cooler greens and blues to warmer red-purples. Also, the very light lavender and violet hues in the flower are almost washed out. If only the camera could work better!...

Morning Glory, Watercolor on Fabriano Artistico 140# Cold Press Paper, 5"h x 5"w, 2012#2

Sold!

Since I do not like the very hard edge created by masking fluid, I painted this picture without using masking. All the painting around has proven to be challenging, but dividing the whole image into sections and finish each section wet-in-wet in one go helps. I am especially happy about how the leaves turned out. 

I also had time developing the plumeria painting a little bit more -- finishing the leaves and backgrounds surrounding the flower. I find putting in some darker values helps gauging how dark the shadow on the light pedals should go. On a blank sheet of paper, they almost always look too dark to me! I guess I have a long way to go in eyeballing values accurately...

Blushing Plumeria,  

Watercolor on Fabriano Artistico 140# Cold Press Paper , 6"h x 6"w, WIP 2

At this point the flower looks way too pale. I will glaze over the shadow areas on the pedal with a grey mixture of Permanent Rose, Aureulian Yellow and Cobalt Blue to give it a bit more depth, then do the yellow flower center. I can't wait to see how it turns out!