Simple Grace,
Charcoal Cast Drawing from Life on Fabriano Roma White Charcoal Paper, 18h x 16"w
I haven't done much of sharing of my work from the atelier I was attending so far -- this is one of the latest projects I have finished there. It is a charcoal drawing about the size of 16" x 18" of a plaster cast from a 19th century French girl. The drawing is done from life with sight-size method, and took me a good three month to finish. I was quite happy with it and thought it has somewhat captured her calm, gentle expression, and the effect of light hitting her forehead and cascading down from there. The training at Golden Gate Atelier is amazing and I felt in the two years I am attending it, my drawing ability has just improved by leaps and bounds...
It is very interesting that this cast is supposed to be a cast direct from a real girl's face, after she has tragically cast herself into the river water of Paris to end her life, but the expression is so vivid, peaceful and lifelike, it's hard to believe it is cast from a deceased person... The interesting story behind the cast is that the contemporary CPR's training mask is designed according to it, so that people who are trained to do mouth-to-mouth CPR could have something pleasant to stare at when doing it...
After completing this project, I decide to submit it to Lodi Art Center's Spring Juried Show, and yesterday I was informed that this drawing has just won the Best of Show. This great news came as a total surprise, as this is the first time I submit non-watercolor work to a juried show and I was very nervous how it would be received... Of course I feel a huge sense of encouragement now.
I would never be able to do this without the two years of priceless training I have received at Golden Gate Atelier -- before entering the atelier I was literally scared to death to pick up a pencil and draw free-hand! The rigorous training -- drawing from life 6-7 hours a day every day has not only taught me how to see and how to use different drawing materials to achieve an effect I want, but gradually built up my confidence to DRAW. Again, this proves you learn drawing by -- actually draw a lot... Along the way I have received so many valuable instructions and help from my teachers, Andrew Ameral and Sean Forester, as well as my classmates. I owe you all a big "Thanks" -- you are the best!
I also owe a big "Thank You" to Sadie Valeri, my first teacher in classical realism and personal inspiration! I took my first life drawing class with her when I was still working my engineer job, and was totally hooked! Now I am on this road of no return... Lol...
In the mean time, if you have an image of a beautiful landscape, or a flower you like, or anything you might want to see painted, please email them to me at arena.shawn@gmail.com. I will paint them and post them here. From every 10 paintings I make from them, there would be a random drawing, and the lucky winner get to take a original back home for free! Interested? Then send me your photo!It is very interesting that this cast is supposed to be a cast direct from a real girl's face, after she has tragically cast herself into the river water of Paris to end her life, but the expression is so vivid, peaceful and lifelike, it's hard to believe it is cast from a deceased person... The interesting story behind the cast is that the contemporary CPR's training mask is designed according to it, so that people who are trained to do mouth-to-mouth CPR could have something pleasant to stare at when doing it...
After completing this project, I decide to submit it to Lodi Art Center's Spring Juried Show, and yesterday I was informed that this drawing has just won the Best of Show. This great news came as a total surprise, as this is the first time I submit non-watercolor work to a juried show and I was very nervous how it would be received... Of course I feel a huge sense of encouragement now.
I would never be able to do this without the two years of priceless training I have received at Golden Gate Atelier -- before entering the atelier I was literally scared to death to pick up a pencil and draw free-hand! The rigorous training -- drawing from life 6-7 hours a day every day has not only taught me how to see and how to use different drawing materials to achieve an effect I want, but gradually built up my confidence to DRAW. Again, this proves you learn drawing by -- actually draw a lot... Along the way I have received so many valuable instructions and help from my teachers, Andrew Ameral and Sean Forester, as well as my classmates. I owe you all a big "Thanks" -- you are the best!
I also owe a big "Thank You" to Sadie Valeri, my first teacher in classical realism and personal inspiration! I took my first life drawing class with her when I was still working my engineer job, and was totally hooked! Now I am on this road of no return... Lol...
Congratulations Arena! What an amazing opportunity to study drawing so extensively.
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