Evening Reflections

Evening Reflections, Watercolor on Arches #140 Rough Paper, 7"h x 10"w, 2016 #16

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Dusk over Marsh - Day Twenty-Eight of the 30/30 Challenge

Dusk over Marsh, 

Watercolor on Arches #140 Cold Press Paper, 6"h x 6"w, 2015 #30

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Day Twenty-Eight of the challenge -- a little plein air piece at sunset, done mostly with my 1" slanted bristle brush. I am falling in love with this big, stiff brush that is not at all capable of doing any details, but carries so much pigment and water and does soft wet-in-wet blending and rough edges both so well! When the sun is setting and the light changing fast, it is really handy! I actually did several different studies before the sun completely sinks under the horizon, but I love this one the most -- it did capture the glorious sky that I saw, which made all the draw grass near shore literally glows with dragon's blood red! Again, this is done in a quiet back corner of the shoreline park of mountain view. I can never get tired of painting the beautiful wetlands in the bay area...

Day's End - Day Three of the 30/30 Challenge

Day's End, 

Watercolor on Arches #140 Cold Press Paper, 6"h x 6"w, 2015 #5

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Day three of the challenge -- one of the goals I have for this 30/30 challenge is to try using as big a brush I can manage and carry the painting to as far a point as I could, as I did in the last painting, "Woodland Fall"; a second goal I have is to experiment with non-conventional brushes and surfaces without the worry of "failing", i.e., not turning out a beautiful little painting in the end. 

For this 6" x 6", I used primarily a slanted 1" stiff bristle brush to lay in the soft sky and foreground snow on very wet paper, and added gradually thickened pigments to create the distant mountain with fir trees as well as to establish the general shape of the snow-laden evergreens in the foreground before the paper dried. The advantage of bristle brush is, they really can pick up and carry a lot more pigment (especially if your pigment is not fresh squeezed out of a tube) compared to traditional watercolor brushes, even the stiffer synthetic haired ones. Another advantage of these brushes is that they have very jagged hair, hence it is absolutely futile to try to get any detail out of them when painting. One is thus forced to pay attention to the general tone, color and overall silhouette of each value shape, and design the bigger picture before putting in the details (which would require switching to a different type of brush). 

I did eventually switch to smaller bristle brushes to establish the darker crevices on the rocks, the branches of foreground fir, etc., and used a small rigger brush to suggest some bare branches of deciduous trees as well as shrubs, but most of the painting was done with the big 1" bristle that at times made me feel very awkward and not knowing what I was doing. Overcoming that awkward feeling was very liberating, since I know I am going beyond my own comfort zone, pushing myself to learn more and grow as a painter. The results is not always as exciting as the process itself, but in case of this little painting, I am feeling quite satisfied...

Fisherman's Evening II - 30 Paintings in 30 Days Challenge, Round 3, Day 2

Fisherman's Evening II, Watercolor on Arches #140 Hot Press Paper, 7"h x 10"w, 2014 #2

Sold!

A while ago (yes, in the last 30/30 challenge!) I've explored this theme and really loved the composition. Back during my trip back China visiting my parents, I've got the opportunity to sketch out some old fishing boats and dingles that are common sights along the river ways of populated historical cities and towns built on the fertile delta of Yangzi River, so I thought I'd do a series of painting featuring various interesting ancient boat designs. I also wanted to try out different materials and this is the first time I painted on a hot press paper surface -- I really loved it! It was a great challenge, however, the Arches hot press paper is a little rougher comparing to a lot of other makers' (such as Fabriano), and pigments actually granulate a little on this surface, creating some beautiful texture and separated color effect that are hard to see on the photo. The drying speed of this surface is very fast comparing to cold press paper by the same maker, and water do tend to pool on the surface, making wet-in-wet manipulation very difficult. But it is worth all the effort! Wet-in-wet done on cold press surface just have very interesting creeping edges, and wet-lifting helps create very subtle color separations that gives a lot of depth to the painting...

I lifted a new moon at the upper right corner of the painting, and was very happy that I have finally captured that sense of inner peace and tranquility of floating on open waters into the dusk, after a day's hard work...

And, of course, you guessed it -- theme for this one is... "Water". 

In the mean time, if you have an image of a beautiful landscape, or a flower you like, or anything you might want to see painted, please email them to me at arena.shawn@gmail.com. I will paint them and post them here. From every 10 paintings I make from them, there would be a random drawing, and the lucky winner get to take a original back home for free! Interested? Then send me your photo!

You can now buy high quality Giclee prints of many of my sold paintings, both on paper and canvas, as well as some note cards with my paintings here:

Fisherman's Evening -- 30 Paintings in 30 Days Challenge (Round Two), Day 13

Fisherman's Evening,

 Watercolor on Arches #140 Cold Press paper, 6"h x 9"w, 2013 #64

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After a busy day at Filoli, I was happy to be able to still finish this little painting tonight. I used a very limited palette because I was inspired by some Sumi ink paintings and Haiku-like photographs I saw today. When I was painting it I thought about fog gradually rising on empty river surface, a lonely fishing boat anchored near shore, with its fishing-cormorants resting on the long pole at the end of it. The fisherman with a glass or two of hard liquor, resting after a day's hard work... It's a more and more rare scene even in rural China nowadays, the country being so rapidly developed. I know the romance in rural lifestyle is probably exaggerated while the hardship deliberately overlooked with people outside writing or painting about it, but still, born and raised in a mega city, I cannot help but being slightly nostalgia when thinking about such life of the past, which I have never experienced genuinely... :-P Life is full of controversies I guess. 

You can now buy high quality Giclee prints of many of my sold paintings, both on paper and canvas, as well as some note cards with my paintings here: